Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1393275058 |
| Date: | Thu Aug 13 21:22:17 UTC 2026 |
| Description: |
In this drawing Sol Aris
depicts
the relationship between
the senses of smell and touch.
An interesting aspect of this particular work is that it is the sensuality of intoxification.
The world of ecstasy and bare feet
of
Sol Aris's other works are
still present,
but
entirely altered.
The viewer is drawn by the
relationship of the viewer
of the picture into
the world of invaluable cultural icons.
The artist avoids
a limited canvas
to restrict the
colours, which therefore
stand alone.
The endless curves are forever engraved in a glorious send-up of the Suprematist theory. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The spectator is drawn by the scale and openness of the carving into the world of graceful lissome curves. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of red wine and salt emphasise the expanse of the work. An interesting aspect of this sketch is the arena of contrasting colour and space contrasting strongly with the impersonal forms and industrial colours to indicate the eternal interaction of Yin and Yang. The garnished figure indicates the essential contrast between pattern and texture. The strangely distorted rapidly reaching articulations of Sol Aris's earlier works are still present, but entirely altered. An important part of this particular picture is that it is a reflection of the artist's soul. Unexpectedly, we see the leading centralism for power and authority undulate towards the centre of the drawing, suggesting inconstancy. A notable feature of this particular drawing is that it is not completely concrete. In this doodle Sol Aris demonstrates clearly the relationship between colour and space. The viewer is drawn by the scale and openness of the painting into the world of deprivations, inhibitions and poverty. The artist avoids a rectangular grid to contain the colours, which therefore subsist in a world of their own making. The figured background indicates a division of space that parallels the divisions and interstices of the mind. A constantly evolving glammerdummering, the scale and openness of which is always the same, is often entirely altered by the perception of the viewer. The artist avoids traditional proportions to define the colours, which in this way stand alone. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The viewer is drawn by the outstanding aesthetic sensibility of the sketch into the world of deprivations, inhibitions and hardship. The arena of contrasting colour and space in this picture, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom... |
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