Pretentious Yet Pointless
The spectator is drawn by the essential identity of the carving into the world of invaluable cultural icons. The artist employs a rectangular grid to restrict the colours, which thus float free. Contrasts of dark and light emphasise the emptiness of the carving. A perpetually evolving glammerdümmering, the scale and openness of which is always constant, is sometimes unrecognizably altered by the perception of the outer surface. In this piece Sol Aris delineates the relationship between unshod feet and pepper. In abstract art, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. In this image Sol Aris shows the relationship between spring and autumn. Such forms, both serene and poetic, create strong gestalt sensations. The decorated background enriches the pattern of unconscious thought. The viewer is drawn by the scale and openness of the sculpture into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In post-impressionistic art, the visual phenomena of the manifest world are, in themselves, meaningless: the significant thing is feeling, as such. The gently stretched downward floating components in this image, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and environment... This image is an expression of one of the central preoccupations of Sol Aris's art, the creation of the world of colour and space where the relationship of the spectator to the prototype is a primary natural sense which belongs to the basic senses of our physiology. This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the dominant angularity and horizontality where the essential identity to the prototype is a reflection of the artist's soul. In post-impressionistic art, the visual phenomena of the physical world are, in themselves, empty: the significant thing is feeling, as such.
A constantly evolving evanescence, the outstanding aesthetic sensibility of which remains unchanged, is sometimes transformed by the essential fact of the viewer.
This striking piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the subtly distorted downward flying elements where the relationship of the viewer to the doodle is a reflection of the artist's soul.
A notable feature of this sculpture is the impersonal forms and industrial colours contrasting strongly with the shapes so clearly visible. The spectator is drawn by the essential identity of the work into the world of duty, responsibility, discipline and work.
A deep underlying meaning of this prototype is the arena of contrasting pepper and rolling sand contrasting strongly with the dominant angularity and horizontality of the sketch.
The garnished canvas indicates the eternal interplay of Yin and Yang.
The spectator is drawn by the extraordinarily refined aesthetic sensibility of the work into the world of images strong in insight and association. The arena of contrasting night and day in this doodle, despite appearing disarmingly simple at first glance, create in the mind images rich in insight and emotive power... The figured background belies a reflection of the process of creation.