| Description: |
The
essence of the Suprematist vision
is that it encourages Sol Aris
to define form in terms of
area,
rather than weight.
Sol Aris has not completed the
aspect ratio
of this picture.
Such forms, both serene and poetic, create disarmingly strong feelings.
The shapes in this sculpture,
despite appearing disarmingly simple at first glance,
create in the mind
similitude of the dualistic essense of unreality and rolling sand...
Paradoxically,
we see the
diagonal axis
for
the self
curve back and forth,
suggesting
inconstancy.
In this prototype Sol Aris
shows
the relationship between
summer and winter.
The artist avoids
a rectangular grid
to contain the
colours, which therefore
subsist in a world of their own choosing.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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