Pretentious Yet Pointless

random artwork

Artist: Aris, Sol
Medium: Acrylics on virtual canvas
Title: Randomly generated image 1393315781
Date: Fri Aug 21 23:59:02 UTC 2026
Description: The artist does not use a rectangular grid to shape the colours, which can by this means subsist in a world of their own doing. The artist employs traditional proportions to restrict the colours, which in this way stand alone. Sol Aris has not commented on the title of this carving. Contrasts of night and day emphasise the broad scope of this prototype. A perpetually evolving glammerdümmering, the relationship of the viewer of which remains unchanged, is sometimes irrefutably altered by the mere presence of the onlooker.

The spectator is drawn by the essential identity of the work into the world of epistemology of area and environment. Of a sudden, we see the leading centralism symbolising power and authority curve back and forth, suggesting unreliability.

Sol Aris has not supplied the price of this sketch. Paradoxically, we see the short vertical line symbolising strength undulate towards the centre of the prototype, suggesting inconstancy. The endless curves are forever engraved in a tribute to misery. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, meaningless: the only worthy thing is feeling, as such. In abstract art, the visual phenomena of the objective world are, in themselves, unimportant: the important thing is feeling, as such.

``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]
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