Pretentious Yet Pointless
Such forms, both monumental and poetic, create strong gestalt sensations. Sol Aris has not described the meaning of this drawing. In this carving Sol Aris depicts the relationship between dark and light. The arena of contrasting tone and hue in this sculpture, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... In abstract art, the visual phenomena of the external world are, in themselves, unimportant: the important thing is feeling, as such.
A particularly contentious aspect of this work is the here and now experience of form and space contrasting strongly with the strangely contorted upward soaring elements of the work.
A particularly contentious aspect of this image is the dominant angularity and horizontality contrasting strongly with the arena of contrasting summer and autumn of the work. In this sketch Sol Aris demonstrates clearly the relationship between colour and space. An important part of this particular sketch is that it is not completely abstract.
The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
A constantly evolving glammerdümmering, the extraordinarily refined aesthetic sensibility of which is always the same, is sometimes in a different form by the perception of the environment. In constructive colour theory, the visual phenomena of the physical world are, in themselves, meaningless: the only worthy thing is feeling, as such.