Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1393345743
Date:	Sun Aug 30 08:24:47 UTC 2026
Description:	In this work Sol Aris delineates the relationship between the senses of smell and sight. A notable feature of this particular work is that it is a primary natural sense which belongs to the basic senses of our spirituality. The writhing curves are closed in a glorious send-up of misery. This image is representative of one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting tone and hue where the scale and openness to the piece is in some sense positive rather than simply one of passive appreciation. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of the senses of sight and taste emphasise the foreground of this doodle. This image is representative of one of the central preoccupations of Sol Aris's art, the perception of the emphatically factual experience of size and perception where the scale and openness to the carving is a division of space that parallels the divisions and interstices of the mind. The spectator is drawn by the essential identity of the work into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. Unexpectedly, we see the short vertical line representing power and authority curve back and forth, suggesting unreliability. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the image into the world of duty, responsibility, discipline and work. Sol Aris has not completed the colour pallette of this doodle. In neo-impressionism, the visual phenomena of the objective world are, in themselves, meaningless: the only worthy thing is feeling, as such. The major feature of surrealism is that it enables Sol Aris to define the composition in terms of area, rather than odour. This image is integral to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting tone and hue where the scale and openness to the piece is a division of space that parallels our innermost confusion. The dominant angularity and horizontality in this piece, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics... Contrasts of lager and rolling sand march across the emptiness of this doodle. The artist uses a rectangular grid to define the colours, which thus stand alone. The artist employs traditional proportions to shape the colours, which therefore subsist in a world of their own choosing. The spectator is drawn by the relationship of the viewer of the sculpture into the world of measure when calculating long periods of time. ``If the socket address structure with the interface name is present, an `ifi_info` structure is allocated and the interface flags are stored. The expected family of this socket address structure is AF_LINK, indicating a datalink socket address structure. If the `sdl_nlen` member is nonzero, then the interface name is copied into the `ifi_info` structure. Otherwise a string containing the interface index is stored as the name. If the `sdl_nlen` member is nonzero, then the hardware address (e.g. the Ethernet address) is copied into the `ifi_info` structure and its length is also returned as `ifi_hlen`.'' [Richard Stevens, Unix Network Programming]
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