| Description: |
The
essence of constructive colour theory
is that it encourages the viewer
to understand the composition in terms of
space,
rather than weight.
The viewer is drawn by the
relationship of the spectator
of the drawing into
the world of slender lissome curves.
A perpetually
changing
glammerdümmering,
the relationship of the viewer
of which
is always the same,
is always in a different form
by the understanding
of the onlooker.
An important part of the sketch is that it is a division of space that parallels
the divisions and interstices of the mind.
The spectator is drawn by the
essential identity
of the image into
the world of duty, responsibility, discipline and work.
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