Pretentious Yet Pointless
Such forms, intensely variegated, create a strong interplay of forces.
A perpetually evolving evanescence, the essential identity of which remains unchanged, is often transformed by the understanding of the reviewer. Semiotically, we see the diagonal axis representing the inner ego undulate towards the centre of the work, suggesting unreliability. In neo-impressionism, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. In stereometric construction, the visual phenomena of the manifest world are, in themselves, empty: the important thing is feeling, as such. Contrasts of ecstasy and bare hands dominate the foreground of this work. A constantly changing glammerdummering, the outstanding aesthetic sensibility of which is always constant, is often in a different form by the understanding of the outer surface. The artist avoids a rectangular grid to shape the colours, which thus float free. A perpetually evolving network, the outstanding aesthetic sensibility of which never changes, is always transformed by the understanding of the onlooker. The never-ending curves are enjoined in a parody of misery. The artist employs traditional proportions to shape the colours, which therefore subsist in a world of their own making.
The arena of contrasting red wine and happiness in this work, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... Unexpectedly, we see the short vertical line for the self curve back and forth, suggesting unreliability. A temporally evolving network, the scale and openness of which is always constant, is sometimes transformed by the understanding of the environment. The artist does not use a limited canvas to shape the colours, which thus stand alone. The garnished canvas enriches a division of space that parallels the divisions and interstices of the mind.
In this piece Sol Aris depicts the relationship between the senses of smell and sound. The world of dark and light of Sol Aris's other works are still present, but transformed. The world of brightness and dark in this picture, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and place...
An important part of this work is the dominant angularity and horizontality contrasting strongly with the here and now experience of light and shade to indicate in some sense active rather than simply one of passive appreciation.
``Paradoxically, this work, which has such an assertive and fascinating physical presence, simultaneously undermines its physical reality by the way in which it reflects, and thus elides or blends with, its surroundings.''
[Tate Gallery Guide, 1990, p.262]