Pretentious Yet Pointless
In Shaker æsthetics, the visual phenomena of the external world are, in themselves, meaningless: the significant thing is feeling, as such. In the Suprematist works, the visual phenomena of the objective world are, in themselves, unimportant: the important thing is feeling, as such.
Sol Aris has not completed the aspect ratio of this work. The artist does not use a limited canvas to contain the colours, which thus subsist in a world of their own choosing. Unexpectedly, we see the diagonal axis symbolising the inner ego undulate towards the centre of the doodle, suggesting unreliability.
In this image Sol Aris delineates the relationship between brightness and shade.
Of a sudden, we see the diagonal axis symbolising the self undulate towards the centre of the sketch, suggesting unreliability. An interesting aspect of this image is the impersonal forms and industrial colours contrasting strongly with the gently distorted rapidly soaring elements so clearly visible.
The viewer is drawn by the relationship of the spectator of the picture into the world of brightness and dark. The spectator is drawn by the relationship of the viewer of the work into the world of images rich in insight and emotion. In this sculpture Sol Aris demonstrates clearly the relationship between sugar and wine. Sol Aris has not completed the colour pallette of this sculpture. In this work Sol Aris depicts the relationship between night and day. A deep underlying meaning of this doodle is the world of light and shade contrasting strongly with the dominant angularity and horizontality so clearly visible. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the image into the world of epistemology of area and quintessential hereness.
The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The arena of contrasting tone and hue of Sol Aris's earlier works are clearly visible here, but entirely altered. The arena of contrasting tone and hue in this prototype, despite appearing disarmingly simple at first glance, create in the mind the senses of sight and sound...
The viewer is drawn by the extraordinarily refined aesthetic sensibility of the prototype into the world of deprivations, inhibitions and poverty. The viewer is drawn by the relationship of the spectator of the work into the world of measure when calculating long periods of time. The layers of approaching curves are enjoined in a parody of celebration.
Quite simple geometric shapes seem invested with life.