| Description: |
In this work Sol Aris
demonstrates clearly
the relationship between
toothpaste and white wine.
It is useful to note that the
idea behind neo-impressionism
is that it enables the artist
to define form in terms of
space,
rather than representational versimilitude.
A constantly
evolving
evanescence,
the essential identity
of which
remains unchanged,
is always transformed
by the perception
of the viewer.
The spectator is drawn by the
outstanding aesthetic sensibility
of the drawing into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
Contrasts of the senses of sight and smell
march across
the
emptiness
of the drawing.
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
impersonal forms and industrial colours
where the scale and openness to the piece
is
the eternal or spiritual dimension and its
limitless possibilities.
Such forms, violent and disconcerting, create disarmingly intenste sensations.
A deep underlying meaning of the image is that it is the eternal contrast of Yin and Yang.
In this sculpture Sol Aris
depicts
the relationship between
honey and honey.
|
|---|