Pretentious Yet Pointless
Semiotically, we see the leading centralism symbolising power and authority undulate towards the centre of the doodle, suggesting unreliability. The arena of contrasting sugar and wine of Sol Aris's earlier works are still present, but unrecognizably altered.
The never-ending curves are closed in a tribute to neo-impressionism.
A notable feature of this image is the shapes contrasting strongly with the impersonal forms and industrial colours to indicate the eternal or spiritual dimension and its limitless possibilities. The dominant angularity and horizontality of Sol Aris's previous works are still present, but in a different form. In this carving Sol Aris depicts the relationship between bare hands and red wine. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, meaningless: the significant thing is feeling, as such. The shapes of Sol Aris's other works are still present, but in a different form. The viewer is drawn by the scale and openness of the image into the world of invaluable cultural icons.