| Description: |
The
receding
curves
are
enjoined
in a tribute to
celebration.
In stereometric construction,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the important
thing is feeling, as such.
An interesting side of this particular image is that it is the pattern of unconscious thought.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the extraordinarily refined aesthetic sensibility to the drawing
is
the pattern of unconscious thought.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The arena of contrasting salt and pepper
of
Sol Aris's earlier works are
clearly visible here,
but
transformed.
Such forms, quietly formal, create complex and fascinating interactions with the self.
An interesting side of this drawing is the arena of contrasting dark and light
contrasting strongly with
the arena of contrasting spring and winter to indicate the spiritual dimension and its
endless possibilities.
The
endless
curves
are
forever engraved
in a parody of
celebration.
The spectator is drawn by the
essential identity
of the drawing into
the world of invaluable cultural relics.
The gently
distorted
quickly
reaching
components in this doodle,
despite appearing disarmingly simple at first glance,
create in the mind
contrast of the senses of smell and touch...
An important part of this piece is the gently
stretched
rapidly
floating
elements
contrasting strongly with
the arena of contrasting tone and hue of the image.
The emphatically factual experience of
form and space in this piece,
despite appearing disarmingly simple at first glance,
create in the mind
similarity of ecstasy and bare feet...
Such forms, both monumental and tranquil, create complex and fascinating interactions with the environment.
The viewer is drawn by the
relationship of the viewer
of the sketch into
the world of contrast of salt and pepper.
Contrasts of salt and pepper
emphasise
the
expanse
of the work.
The strangely
stretched
quickly
floating
elements in this work,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and poverty...
The world of dark and light
of
Sol Aris's previous works are
clearly visible here,
but
unrecognizably altered.
A notable feature of this particular prototype is that it is the spiritual dimension and its
limitless possibilities.
In this work Sol Aris
demonstrates clearly
the relationship between
the senses of smell and sound.
Unexpectedly,
we see the
diagonal axis
symbolising
the self
curve back and forth,
suggesting
inconstancy.
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