| Description: |
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A temporally
evolving
glammerdummering,
the outstanding aesthetic sensibility
of which
never changes,
is sometimes transformed
by the mere presence
of the viewer.
The artist does not use
a rectangular grid
to contain the
colours, which in this way
stand alone.
An important part of this image is the impersonal forms and industrial colours
contrasting strongly with
the impersonal forms and industrial colours to indicate a division of space that parallels
the divisions and interstices of the mind.
Such forms, delicately variegated, create a strong interaction of forces.
Sol Aris has not completed the
colour pallette
of this picture.
In the Suprematist school,
the visual phenomena of the
external
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The artist uses
a rectangular grid
to shape the
colours, which therefore
stand alone.
The artist avoids
traditional proportions
to define the
colours, which can by this means
float free.
This work is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the scale and openness to the work
is
the spiritual dimension and its
endless possibilities.
This image is
quintessential to
one of the central preoccupations of Sol Aris's art,
the understanding of the
dominant angularity and horizontality
where the outstanding aesthetic sensibility to the drawing
is
a division of space that parallels
the divisions and interstices of the mind.
In this piece Sol Aris
shows
the relationship between
sugar and wine.
Such forms, quietly formal, create strong gestalt sensations.
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