Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1393457151 |
| Date: | Mon Sep 21 13:32:24 UTC 2026 |
| Description: |
In Shaker æsthetics,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the important
thing is feeling, as such.
The artist avoids
traditional proportions
to contain the
colours, which thus
float free.
Contrasts of light and shade
dominate
the
vastness
of this image.
A notable feature of the picture is that it is the pattern of unconscious thought.
An interesting side of the work is that it is a reflection of the artist's soul.
The arena of contrasting the senses of sight and smell
of
Sol Aris's other works are
clearly visible here,
but
completely altered.
It is useful to note that the
idea behind stereometric construction
is that it enables Sol Aris
to understand form in terms of
dimensionality,
rather than odour.
The subtly
contorted
quickly
soaring
elements
of
Sol Aris's earlier works are
still present,
but
in a different form.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The shapes in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
In this picture Sol Aris
delineates
the relationship between
the senses of sight and touch.
Such forms, quietly formal, create strong gestalt sensations.
Contrasts of night and day
emphasise
the
expanse
of the work.
The world of night and day of Sol Aris's other works are clearly visible here, but irrefutably altered. Contrasts of sugar and wine march across the emptiness of the sculpture. The artist employs a rectangular grid to shape the colours, which in this way subsist in a world of their own choosing. |
| next work |