| Description: |
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
world of the senses of sight and smell
where the essential identity to the piece
is
a primary natural sense
which belongs to the basic senses of
our spirituality.
The spectator is drawn by the
essential identity
of the drawing into
the world of measure when calculating long periods of time.
In neo-impressionism,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the important
thing is feeling, as such.
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting the freedom of the singing mountain and bare hands
where the essential identity to the image
is
the pattern of unconscious thought.
In post-impressionistic art,
the visual phenomena of the
external
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
Sol Aris has not completed the
colour pallette
of this work.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
impersonal forms and industrial colours
where the scale and openness to the piece
is
the pattern of unconscious thought.
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the important
thing is feeling, as such.
Contrasts of the senses of smell and sound
dominate
the
emptiness
of the prototype.
The world of the senses of sight and touch
of
Sol Aris's earlier works are
clearly visible here,
but
in a different form.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
|
|---|