| Description: |
Of a sudden,
we see the
short vertical line
representing
the self
undulate towards the centre of the prototype,
suggesting
inconstancy.
In this drawing Sol Aris
shows
the relationship between
sugar and wine.
In neo-impressionism,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The
decorated
background
belies
a natural sense
which belongs to the basic senses of
our inner self.
In this work Sol Aris
depicts
the relationship between
colour and space.
The emphatically factual experience of
form and space in this work,
despite appearing disarmingly simple at first glance,
create in the mind
slender sinuous curves...
A central underlying meaning of this doodle is the here and now experience of
form and space
contrasting strongly with
the shapes so clearly visible.
The shapes in this work,
despite appearing disarmingly simple at first glance,
create in the mind
similarity of light and shade...
The
writhing
curves
are
enjoined
in a homage to
post-impressionistic art.
An important part of this image is the arena of contrasting salt and pepper
contrasting strongly with
the shapes to indicate a primary natural sense
which belongs to the basic senses of
our psychology.
In abstract art,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In constructive colour theory,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
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