Pretentious Yet Pointless

random artwork

Artist: Aris, Sol
Medium: Acrylics on virtual canvas
Title: Randomly generated image 1393522139
Date: Sun Oct 4 22:26:50 UTC 2026
Description: Contrasts of brightness and shade dominate the emptiness of this piece. In surrealism, the visual phenomena of the external world are, in themselves, empty: the significant thing is feeling, as such. It is useful to note that the major feature of neo-impressionism is that it enables the artist to define the composition in terms of space, rather than odour. Such forms, both serene and tranquil, create a strong interaction of forces. The dominant angularity and horizontality of Sol Aris's earlier works are still present, but transformed.

The shapes of Sol Aris's previous works are clearly visible here, but transformed. Contrasts of dark and light dominate the vastness of this image. Unexpectedly, we see the leading centralism representing strength curve back and forth, suggesting inconstancy. The world of sugar and wine in this doodle, despite appearing disarmingly simple at first glance, create in the mind slender lissome curves... An interesting side of this particular work is that it is the sensuality of intoxification. The spectator is drawn by the essential identity of the piece into the world of graceful sinuous curves.

The viewer is drawn by the relationship of the spectator of the prototype into the world of delicate lissome curves. A deep underlying meaning of the work is that it is the eternal contrast of Yin and Yang. Contrasts of brightness and dark emphasise the expanse of this work.

The artist employs a limited canvas to shape the colours, which in this way stand alone. Semiotically, we see the diagonal axis symbolising the self curve back and forth, suggesting unreliability.

A central underlying meaning of the sketch is that it is in some sense positive rather than simply one of passive appreciation. Semiotically, we see the short vertical line representing the inner ego undulate towards the centre of the sculpture, suggesting inconstancy. Contrasts of sugar and wine dominate the emptiness of the work.

``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]
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