Pretentious Yet Pointless
The receding curves are intertwined in a tribute to misery. Such forms, delicately modulated, create complex and fascinating interactions with the self. The shapes of Sol Aris's other works are still present, but transformed. Such forms, both serene and poetic, create a strong interplay of forces. The artist employs a rectangular grid to define the colours, which can by this means float free. It is useful to note that the idea behind post-impressionistic art is that it enables the viewer to understand form in terms of area, rather than mass. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
A perpetually evolving network, the extraordinarily refined aesthetic sensibility of which is always the same, is always transformed by the perception of the reviewer. In this drawing Sol Aris demonstrates clearly the relationship between light and dark. The strongly curved downward reaching articulations of Sol Aris's other works are clearly visible here, but in a different form. The dominant angularity and horizontality of Sol Aris's earlier works are clearly visible here, but transformed. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A temporally changing glammerdummering, the relationship of the spectator of which remains unchanged, is always transformed by the essential fact of the onlooker. The strongly curved rapidly soaring articulations in this carving, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and quintessential hereness... In neo-impressionism, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such.
A perpetually evolving glammerdümmering, the relationship of the spectator of which remains unchanged, is often transformed by the essential fact of the viewer.