Pretentious Yet Pointless
This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting tone and hue where the essential identity to the piece is the eternal interplay of Yin and Yang. In this carving Sol Aris depicts the relationship between night and day. The emphatically factual experience of colour and space in this drawing, despite appearing disarmingly simple at first glance, create in the mind salt and pepper... The receding curves are closed in a tribute to celebration. Contrasts of light and shade march across the broad scope of this work. The ornamented background belies the essential contrast between pattern and texture. Such forms, violent and disconcerting, create a strong interplay of forces. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting tone and hue where the outstanding aesthetic sensibility to the piece is the eternal dimension and its limitless possibilities. A notable feature of the piece is that it is a reflection of the artist's soul. An interesting aspect of this particular image is that it is the spiritual dimension and its endless possibilities. A notable feature of this work is the dominant angularity and horizontality contrasting strongly with the impersonal forms and industrial colours to indicate a natural sense which belongs to the basic senses of our physiology. In this work Sol Aris shows the relationship between spring and autumn.
A constantly evolving glammerdummering, the scale and openness of which is always constant, is often in a different form by the understanding of the reviewer. In this work Sol Aris demonstrates clearly the relationship between white wine and the freedom of the singing sperm whale.
The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The layers of approaching curves are enjoined in a glorious send-up of abstract art. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such.
The emphatically factual experience of size and perception in this drawing, despite appearing disarmingly simple at first glance, create in the mind the senses of sight and smell... The never-ending curves are enjoined in a homage to Shaker æsthetics.
This picture is representative of one of the central preoccupations of Sol Aris's art, the perception of the shapes where the essential identity to the piece is not completely concrete. Sol Aris has not supplied the aspect ratio of this work. Contrasts of night and day dominate the expanse of the drawing. Sol Aris has not described the title of this work. It is useful to note that the major feature of stereometric construction is that it encourages Sol Aris to understand form in terms of area, rather than mass. Such forms, both serene and poetic, create strong gestalt sensations. The arena of contrasting tone and hue in this prototype, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... Such forms, both monumental and poetic, create strong gestalt sensations.
It is important to understand that the essence of Shaker æsthetics is that it enables the viewer to understand form in terms of dimensionality, rather than weight. In this carving Sol Aris delineates the relationship between brightness and dark. Sol Aris has not commented on the colour pallette of this prototype.
It is useful to note that the major feature of abstract art is that it enables Sol Aris to define form in terms of area, rather than odour. The embellished figure enriches a reflection of the artist's soul. An important part of this image is the emphatically factual experience of sugar and wine contrasting strongly with the dominant angularity and horizontality so clearly visible.
``It is important to know under what circumstances simultaneous effects will occur and how they can be counteracted. There are many problems in colour that preclude solutions using simultaneous contrast.''
[Johannes Itten, The Art of Color]