Pretentious Yet Pointless
In constructive colour theory, the visual phenomena of the objective world are, in themselves, empty: the significant thing is feeling, as such. Unexpectedly, we see the short vertical line for the self undulate towards the centre of the image, suggesting unreliability. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of colour and space march across the emptiness of this work.