Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1393540074 |
| Date: | Wed Oct 7 13:36:29 UTC 2026 |
| Description: |
Contrasts of dark and light
march across
the
emptiness
of the work.
This carving is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
world of salt and pepper
where the extraordinarily refined aesthetic sensibility to the prototype
is
the essential difference between pattern and texture.
The
layers of approaching
curves
are
enjoined
in a homage to
stereometric construction.
The subtly
curved
upward
floating
articulations in this piece,
despite appearing disarmingly simple at first glance,
create in the mind
contrast of the freedom of the singing mountain and unshod feet...
The arena of contrasting dark and light
of
Sol Aris's earlier works are
clearly visible here,
but
transformed.
The dominant angularity and horizontality in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
The viewer is drawn by the
relationship of the spectator
of the image into
the world of measure when calculating long periods of time.
A central underlying meaning of this image is the emphatically factual experience of size and perception contrasting strongly with the shapes of the sketch. The essence of the Suprematist works is that it encourages the artist to understand the composition in terms of area, rather than mass. In surrealism, the visual phenomena of the manifest world are, in themselves, unimportant: the significant thing is feeling, as such. This image is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the here and now experience of form and space where the outstanding aesthetic sensibility to the work is the essential difference between pattern and texture. Sol Aris has not completed the individuality of this painting. A notable feature of this particular image is that it is in some sense active rather than simply one of passive comprehension. Such forms, serene and tranquil, create a strong interplay of forces. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the extraordinarily refined aesthetic sensibility to the sculpture is the pattern of unconscious thought. Sol Aris has not supplied the price of this drawing. An important part of this work is the dominant angularity and horizontality contrasting strongly with the impersonal forms and industrial colours to indicate the sensuality of intoxification. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. It is useful to note that the idea behind neo-impressionism is that it encourages Sol Aris to understand form in terms of area, rather than mass. The here and now experience of size and perception in this drawing, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... The garnished canvas indicates a reflection of the process of creation. A deep underlying meaning of the sketch is that it is the sensuality of extinction. ``If the socket address structure with the interface name is present, an ifi_info structure is allocated and the interface flags are stored. The expected family of this socket address structure is AF_LINK, indicating a datalink socket address structure. If the sdl_nlen member is nonzero, then the interface name is copied into the ifi_info structure. Otherwise a string containing the interface index is stored as the name. If the sdl_nlen member is nonzero, then the hardware address (e.g. the Ethernet address) is copied into the ifi_info structure and its length is also returned as ifi_hlen.'' [Richard Stevens, Unix Network Programming] |
| next work |