Pretentious Yet Pointless
The spectator is drawn by the relationship of the spectator of the picture into the world of deprivations, inhibitions and boredom. The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A notable feature of this doodle is the impersonal forms and industrial colours contrasting strongly with the world of honey and lager so clearly visible. The writhing curves are forever engraved in a parody of constructive colour theory. A perpetually evolving evanescence, the relationship of the spectator of which is always the same, is always in a different form by the perception of the reviewer.
The artist employs a rectangular grid to restrict the colours, which thus float free.