Pretentious Yet Pointless
Contrasts of the senses of smell and sound dominate the emptiness of this work. Such forms, both serene and tranquil, create a strong interaction of forces. The garnished background indicates a division of space that parallels our innermost confusion. A particularly contentious aspect of this particular work is that it is the eternal interaction of Yin and Yang. The layers of approaching curves are closed in a tribute to celebration. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, empty: the significant thing is feeling, as such.
In neo-impressionism, the visual phenomena of the manifest world are, in themselves, meaningless: the only worthy thing is feeling, as such. Sol Aris has not completed the title of this painting. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.