| Description: |
Unexpectedly,
we see the
diagonal axis
symbolising
the self
curve back and forth,
suggesting
unreliability.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, empty:
the only worthy
thing is feeling, as such.
Semiotically,
we see the
short vertical line
representing
the self
undulate towards the centre of the sculpture,
suggesting
inconstancy.
Such forms, intensely modulated, create complex and fascinating interactions with the environment.
The viewer is drawn by the
outstanding aesthetic sensibility
of the work into
the world of light and dark.
A perpetually
evolving
glammerdummering,
the scale and openness
of which
remains unchanged,
is often transformed
by the perception
of the outer surface.
An interesting side of the sculpture is that it is the eternal interplay of Yin and Yang.
A central underlying meaning of this image is the emphatically factual experience of
form and space
contrasting strongly with
the arena of contrasting tone and hue so clearly visible.
It is useful to note that the
idea behind post-impressionistic art
is that it encourages the viewer
to understand the composition in terms of
space,
rather than representational versimilitude.
The
idea behind surrealism
is that it enables Sol Aris
to define form in terms of
dimensionality,
rather than representational versimilitude.
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