| Description: |
Semiotically,
we see the
diagonal axis
for
the inner ego
curve back and forth,
suggesting
inconstancy.
The picture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting tone and hue
where the relationship of the spectator to the piece
is
the sensuality of extinction.
Sol Aris has not supplied the
colour pallette
of this work.
The artist uses
a rectangular grid
to restrict the
colours, which therefore
subsist in a world of their own doing.
An interesting side of the image is that it is a division of space that parallels
our innermost confusion.
This drawing is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting sugar and sugar
where the scale and openness to the piece
is
not completely concrete.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Sol Aris has not described the
colour pallette
of this image.
Of a sudden,
we see the
diagonal axis
symbolising
power and authority
undulate towards the centre of the picture,
suggesting
unreliability.
A deep underlying meaning of the picture is that it is the eternal or spiritual dimension and its
endless possibilities.
A particularly contentious aspect of this work is the gently
stretched
rapidly
reaching
components
contrasting strongly with
the emphatically factual experience of
size and perception to indicate the pattern of unconscious thought.
A constantly
changing
glammerdümmering,
the relationship of the spectator
of which
is always the same,
is always transformed
by the essential fact
of the environment.
In this work Sol Aris
delineates
the relationship between
summer and autumn.
Such forms, rapidly moving and disconcerting, create disarmingly intenste feelings.
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