Pretentious Yet Pointless
An important part of the sketch is that it is the pattern of unconscious thought. The viewer is drawn by the relationship of the spectator of the sculpture into the world of images strong in meaning and emotive power. Sol Aris has not commented on the colour pallette of this sculpture.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]