Pretentious Yet Pointless
The world of spring and winter in this image, despite appearing disarmingly simple at first glance, create in the mind colour and space... The endless curves are closed in a glorious send-up of misery. In surrealism, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. The writhing curves are forever engraved in a homage to celebration. In neo-impressionism, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such. An interesting aspect of this particular image is that it is the eternal dimension and its endless possibilities. Such forms, both monumental and poetic, create complex and fascinating interactions with the environment. A particularly contentious aspect of the image is that it is a primary sense which belongs to the basic senses of our psychology. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The arena of contrasting brightness and shade in this work, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and hardship...
An important part of this particular painting is that it is a division of space that parallels our innermost confusion. A perpetually changing evanescence, the extraordinarily refined aesthetic sensibility of which remains unchanged, is sometimes in a different form by the perception of the viewer.
The spectator is drawn by the outstanding aesthetic sensibility of the image into the world of invaluable cultural icons.