Pretentious Yet Pointless
A particularly contentious aspect of this drawing is the shapes contrasting strongly with the arena of contrasting tone and hue of the picture. Sol Aris has not supplied the colour pallette of this image.
The figured figure indicates the essential contrast between pattern and texture. A perpetually changing network, the essential identity of which is always constant, is often irrefutably altered by the mere presence of the viewer.
An important part of this sketch is the arena of contrasting salt and pepper contrasting strongly with the shapes of the drawing. A notable feature of this image is the arena of contrasting tone and hue contrasting strongly with the impersonal forms and industrial colours so clearly visible. A temporally changing glammerdummering, the essential identity of which remains unchanged, is always in a different form by the mere presence of the viewer.
A temporally evolving network, the relationship of the viewer of which is always the same, is sometimes unrecognizably altered by the understanding of the environment. The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind colour and space...
The essence of stereometric construction is that it enables Sol Aris to define the composition in terms of space, rather than odour.
Such forms, serene and powerful, create a strong interplay of forces. Such forms, delicately modulated, create disarmingly intenste shivers of emotion. Contrasts of colour and space dominate the expanse of the work. The spectator is drawn by the essential identity of the sketch into the world of delicate lissome curvilinear forms.
Paradoxically, we see the short vertical line for power and authority curve back and forth, suggesting inconstancy. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, unimportant: the only worthy thing is feeling, as such.