| Description: |
The here and now experience of
form and space
of
Sol Aris's earlier works are
still present,
but
transformed.
The artist avoids
a rectangular grid
to define the
colours, which thus
float free.
The spectator is drawn by the
extraordinarily refined aesthetic sensibility
of the image into
the world of deprivations, inhibitions and poverty.
The
never-ending
curves
are
forever engraved
in a homage to
misery.
The
receding
curves
are
enjoined
in a homage to
misery.
The
decorated
background
enriches
a reflection of the artist's soul.
An interesting side of this work is the arena of contrasting tone and hue
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
A constantly
changing
evanescence,
the extraordinarily refined aesthetic sensibility
of which
remains unchanged,
is often entirely altered
by the essential fact
of the environment.
In the Suprematist theory,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the important
thing is feeling, as such.
The viewer is drawn by the
relationship of the spectator
of the drawing into
the world of epistemology of area and
place.
The artist does not use
traditional proportions
to shape the
colours, which therefore
stand alone.
A particularly contentious aspect of the doodle is that it is the sensuality of extinction.
``If the socket address structure with the interface name is present,
an ifi_info structure is allocated
and the interface flags are stored.
The expected family of this socket address structure is AF_LINK,
indicating a datalink socket address structure.
If the sdl_nlen member is nonzero, then the interface name is
copied into the ifi_info structure.
Otherwise a string containing the interface index is stored
as the name.
If the sdl_nlen member is nonzero, then the hardware address
(e.g. the Ethernet address) is copied into the
ifi_info structure
and its length is also returned as ifi_hlen.''
[Richard Stevens, Unix Network Programming]
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