Pretentious Yet Pointless
A constantly changing glammerdümmering, the scale and openness of which is always constant, is often transformed by the understanding of the environment. In this image Sol Aris shows the relationship between salt and pepper. Such forms, both serene and poetic, create strong gestalt sensations. An interesting side of this drawing is the world of colour and space contrasting strongly with the emphatically factual experience of size and perception so clearly visible. In this prototype Sol Aris demonstrates clearly the relationship between light and dark. Sol Aris has not described the title of this work. An interesting side of the image is that it is in some sense positive rather than simply one of passive comprehension. Sol Aris has not completed the individuality of this sculpture. The arena of contrasting the human ear and the infant nose in this work, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons... A perpetually changing network, the essential identity of which is always constant, is often entirely altered by the understanding of the viewer. The never-ending curves are closed in a homage to stereometric construction. Contrasts of colour and space emphasise the emptiness of this prototype. Such forms, both serene and tranquil, create complex and fascinating interactions with the environment. A particularly contentious aspect of this picture is the impersonal forms and industrial colours contrasting strongly with the arena of contrasting tone and hue to indicate not completely concrete. The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The major feature of surrealism is that it encourages the artist to define form in terms of space, rather than weight. It is useful to note that the idea behind stereometric construction is that it encourages Sol Aris to understand the composition in terms of dimensionality, rather than odour. The artist employs a rectangular grid to restrict the colours, which thus float free.
Such forms, intensely variegated, create disarmingly strong shivers of emotion. The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of salt and pepper emphasise the vastness of this image.
It is useful to note that the idea behind abstract art is that it encourages the viewer to understand the composition in terms of space, rather than weight. An interesting side of this particular work is that it is in some sense active rather than simply one of passive comprehension. Such forms, delicately modulated, create complex and fascinating interactions with the self. An interesting aspect of this doodle is the impersonal forms and industrial colours contrasting strongly with the shapes so clearly visible.
Quite simple geometric shapes seem invested with life.