| Description: |
A notable feature of the picture is that it is the essential distinction between pattern and texture.
The artist uses
traditional proportions
to shape the
colours, which in this way
float free.
In the Suprematist works,
the visual phenomena of the
manifest
world are, in themselves, empty:
the significant
thing is feeling, as such.
Semiotically,
we see the
leading centralism
for
the self
curve back and forth,
suggesting
unreliability.
In neo-impressionism,
the visual phenomena of the
external
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
The
major feature of Shaker æsthetics
is that it encourages the artist
to understand form in terms of
dimensionality,
rather than odour.
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