Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1393737148 |
| Date: | Mon Nov 9 03:19:07 UTC 2026 |
| Description: |
The
never-ending
curves
are
enjoined
in a glorious send-up of
misery.
The viewer is drawn by the
essential identity
of the sculpture into
the world of happiness and pig saliva.
Paradoxically,
we see the
short vertical line
representing
strength
curve back and forth,
suggesting
unreliability.
The impersonal forms and industrial colours
of
Sol Aris's earlier works are
clearly visible here,
but
unrecognizably altered.
A temporally
evolving
glammerdummering,
the relationship of the spectator
of which
is always constant,
is sometimes irrefutably altered
by the perception
of the viewer.
The emphatically factual experience of
size and perception in this work,
despite appearing disarmingly simple at first glance,
create in the mind
epistemology of space and
environment...
The
idea behind the Suprematist school
is that it encourages the artist
to define form in terms of
dimensionality,
rather than odour.
In neo-impressionism, the visual phenomena of the manifest world are, in themselves, empty: the important thing is feeling, as such. An interesting side of this particular painting is that it is a primary natural sense which belongs to the basic senses of our physiology. The arena of contrasting tone and hue in this drawing, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom... Paradoxically, we see the leading centralism representing strength undulate towards the centre of the sculpture, suggesting unreliability. A constantly changing glammerdümmering, the essential identity of which is always constant, is sometimes transformed by the understanding of the reviewer. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This piece is an expression of one of the central preoccupations of Sol Aris's art, the creation of the impersonal forms and industrial colours where the relationship of the viewer to the work is a reflection of the process of creation. |
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