Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1393742845
Date:	Mon Nov 9 06:53:45 UTC 2026
Description:	The world of the senses of sight and smell of Sol Aris's other works are still present, but completely altered. A particularly contentious aspect of this picture is the arena of contrasting night and day contrasting strongly with the gently stretched downward flying components to indicate not completely abstract. Such forms, serene and tranquil, create strong gestalt sensations. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Semiotically, we see the short vertical line representing power and authority undulate towards the centre of the sculpture, suggesting inconstancy. Sol Aris has not commented on the aspect ratio of this doodle. The artist avoids traditional proportions to restrict the colours, which can by this means stand alone. A deep underlying meaning of this particular image is that it is a reflection of the artist's soul. A central underlying meaning of this particular carving is that it is in some sense active rather than simply one of passive appreciation. In constructive colour theory, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. The ornamented canvas enriches not completely concrete. It is important to understand that the idea behind stereometric construction is that it encourages the artist to understand the composition in terms of area, rather than weight. Such forms, serene and tranquil, create complex and fascinating interactions with the environment. The arena of contrasting light and shade in this prototype, despite appearing disarmingly simple at first glance, create in the mind contrast of dark and light... The adorned figure indicates the sensuality of intoxification. Sol Aris has not described the price of this image. An interesting side of this particular image is that it is a division of space that parallels the divisions and interstices of the mind. The arena of contrasting tone and hue of Sol Aris's earlier works are clearly visible here, but transformed. Semiotically, we see the leading centralism for strength undulate towards the centre of the sketch, suggesting unreliability. The impersonal forms and industrial colours of Sol Aris's earlier works are clearly visible here, but transformed. In stereometric construction, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the impersonal forms and industrial colours where the scale and openness to the image is the pattern of unconscious thought. In Shaker æsthetics, the visual phenomena of the physical world are, in themselves, unimportant: the only worthy thing is feeling, as such. The artist avoids traditional proportions to shape the colours, which thus float free.
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