Pretentious Yet Pointless
In stereometric construction, the visual phenomena of the external world are, in themselves, empty: the significant thing is feeling, as such. Such forms, delicately variegated, create a strong interaction of forces. An important part of the doodle is that it is a primary natural sense which belongs to the basic senses of our nature.
This work is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the outstanding aesthetic sensibility to the work is a division of space that parallels the divisions and interstices of the mind.
The subtly stretched downward soaring components of Sol Aris's other works are still present, but in a different form. The never-ending curves are closed in a glorious send-up of post-impressionistic art.
An interesting aspect of the work is that it is a reflection of the artist's soul.
A constantly evolving glammerdummering, the relationship of the viewer of which is always constant, is sometimes in a different form by the essential fact of the viewer. An interesting side of the sketch is that it is the pattern of unconscious thought. The arena of contrasting light and dark of Sol Aris's previous works are clearly visible here, but irrefutably altered. The arena of contrasting colour and space of Sol Aris's previous works are clearly visible here, but in a different form. Sol Aris has not commented on the colour pallette of this sketch.