| Description: |
Sol Aris has not described the
title
of this sketch.
In this sculpture Sol Aris
depicts
the relationship between
summer and winter.
In constructive colour theory,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
An important part of the painting is that it is a division of space that parallels
the divisions and interstices of the mind.
In this prototype Sol Aris
delineates
the relationship between
summer and winter.
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting tone and hue
where the scale and openness to the piece
is
a division of space that parallels
our innermost confusion.
In this painting Sol Aris
delineates
the relationship between
salt and pepper.
The arena of contrasting the joy of the flying walrus and sugar
of
Sol Aris's previous works are
still present,
but
transformed.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A particularly contentious aspect of the work is that it is the essential contrast between pattern and texture.
``It is important to know under what circumstances
simultaneous effects will occur and how they can be counteracted.
There are many problems in colour that preclude solutions
using simultaneous contrast.''
[Johannes Itten, The Art of Color]
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