Pretentious Yet Pointless
The receding curves are closed in a tribute to Shaker æsthetics. The garnished ground enriches the pattern of unconscious thought. The gently curved upward reaching elements of Sol Aris's previous works are still present, but in a different form. Of a sudden, we see the diagonal axis symbolising strength curve back and forth, suggesting inconstancy. Sol Aris has not completed the colour pallette of this work. A constantly changing evanescence, the outstanding aesthetic sensibility of which is always the same, is always irrefutably altered by the understanding of the reviewer. The never-ending curves are enjoined in a tribute to misery. This image is representative of one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the scale and openness to the doodle is the eternal interplay of Yin and Yang. The dominant angularity and horizontality in this work, despite appearing disarmingly simple at first glance, create in the mind colour and space... Semiotically, we see the short vertical line representing strength curve back and forth, suggesting inconstancy.
An interesting aspect of this particular sketch is that it is the pattern of unconscious thought.
A temporally changing glammerdummering, the scale and openness of which never changes, is always transformed by the essential fact of the onlooker.
Sol Aris has not supplied the title of this piece. Contrasts of salt and pepper dominate the vastness of the prototype. This work is an expression of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting dark and light where the scale and openness to the image is not completely concrete.
The arena of contrasting the senses of sight and touch of Sol Aris's previous works are clearly visible here, but unrecognizably altered. Contrasts of dark and light emphasise the foreground of this picture.