Pretentious Yet Pointless
This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the scale and openness to the work is in some sense positive rather than simply one of passive appreciation.
The spectator is drawn by the essential identity of the image into the world of invaluable cultural relics. Such forms, delicately modulated, create complex and fascinating interactions with the self. The never-ending curves are forever engraved in a glorious send-up of abstract art. The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The ornamented canvas enriches the eternal or spiritual dimension and its limitless possibilities. A particularly contentious aspect of this particular image is that it is in some sense positive rather than simply one of passive appreciation.
The arena of contrasting night and day of Sol Aris's previous works are clearly visible here, but completely altered.
The emphatically factual experience of form and space in this work, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons... The arena of contrasting tone and hue of Sol Aris's earlier works are clearly visible here, but transformed. The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A deep underlying meaning of this particular painting is that it is in some sense positive rather than simply one of passive comprehension. A perpetually evolving evanescence, the scale and openness of which is always the same, is always unrecognizably altered by the perception of the viewer. A notable feature of this particular piece is that it is not completely concrete.
The world of brightness and shade of Sol Aris's previous works are still present, but in a different form. The major feature of stereometric construction is that it enables the viewer to understand the composition in terms of dimensionality, rather than mass. An interesting side of this sculpture is the emphatically factual experience of form and space contrasting strongly with the dominant angularity and horizontality to indicate a natural sense which belongs to the basic senses of our spirituality. The spectator is drawn by the essential identity of the prototype into the world of dark and light. Contrasts of the senses of smell and sight emphasise the broad scope of this image. The major feature of post-impressionistic art is that it enables Sol Aris to understand the composition in terms of dimensionality, rather than weight. The spectator is drawn by the scale and openness of the image into the world of measure when calculating long periods of time.
An important part of this painting is the here and now experience of colour and space contrasting strongly with the dominant angularity and horizontality to indicate the eternal dimension and its limitless possibilities. Sol Aris has not described the colour pallette of this painting. The endless curves are closed in a homage to celebration.
An important part of the doodle is that it is the essential difference between pattern and texture.