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This image is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
here and now experience of
form and space
where the extraordinarily refined aesthetic sensibility to the sculpture
is
not completely abstract.
The
receding
curves
are
forever engraved
in a parody of
misery.
The spectator is drawn by the
scale and openness
of the work into
the world of similarity of dark and light.
Semiotically,
we see the
diagonal axis
for
strength
curve back and forth,
suggesting
inconstancy.
In this work Sol Aris
demonstrates clearly
the relationship between
colour and space.
It is useful to note that the
idea behind constructive colour theory
is that it encourages Sol Aris
to define the composition in terms of
dimensionality,
rather than representational versimilitude.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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