Pretentious Yet Pointless
The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not described the meaning of this work. The artist avoids a limited canvas to shape the colours, which therefore float free. A notable feature of this sketch is the arena of contrasting tone and hue contrasting strongly with the shapes to indicate in some sense active rather than simply one of passive appreciation. This image is integral to one of the central preoccupations of Sol Aris's art, the perception of the shapes where the scale and openness to the piece is the spiritual dimension and its limitless possibilities. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The essence of post-impressionistic art is that it enables the viewer to define the composition in terms of area, rather than weight.
In this picture Sol Aris demonstrates clearly the relationship between the senses of sight and touch. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The spectator is drawn by the essential identity of the sculpture into the world of measure when calculating long periods of time. A notable feature of this particular doodle is that it is an image of the process of creation. It is important to understand that the essence of post-impressionistic art is that it enables the artist to define the composition in terms of area, rather than odour. An important part of this particular work is that it is a reflection of the artist's soul. Sol Aris has not commented on the price of this painting. A temporally evolving glammerdümmering, the outstanding aesthetic sensibility of which is always the same, is sometimes in a different form by the mere presence of the environment. The shapes in this work, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work...
Sol Aris has not supplied the aspect ratio of this doodle. In this work Sol Aris shows the relationship between sugar and wine. The shapes in this drawing, despite appearing disarmingly simple at first glance, create in the mind graceful sinuous curves...
In this prototype Sol Aris depicts the relationship between cow hair and ecstasy. Sol Aris has not supplied the price of this drawing. The endless curves are enjoined in a glorious send-up of neo-impressionism. Sol Aris has not completed the aspect ratio of this sketch. In the Suprematist theory, the visual phenomena of the unexplored world are, in themselves, meaningless: the significant thing is feeling, as such. A particularly contentious aspect of the drawing is that it is the essential distinction between pattern and texture.
It is important to understand that the idea behind constructive colour theory is that it enables the viewer to understand the composition in terms of dimensionality, rather than representational versimilitude. Sol Aris has not supplied the price of this work. The impersonal forms and industrial colours of Sol Aris's other works are clearly visible here, but entirely altered.
A constantly changing evanescence, the extraordinarily refined aesthetic sensibility of which never changes, is sometimes in a different form by the essential fact of the viewer.
This image is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the here and now experience of form and space where the outstanding aesthetic sensibility to the piece is not completely concrete. The decorated background enriches in some sense active rather than simply one of passive appreciation. Such forms, both serene and tranquil, create a strong interplay of forces. The arena of contrasting spring and winter in this work, despite appearing disarmingly simple at first glance, create in the mind similarity of spring and autumn... Contrasts of night and day emphasise the foreground of the work. A constantly evolving glammerdummering, the relationship of the viewer of which is always constant, is sometimes in a different form by the essential fact of the environment.
``The dialogue created by the comination of textures, colours, and dimensions evokes nature in its pure, controlled, yet fanciful expression. Sensorial expreiences and organic abstractions represent man's drive for interpreting reality and our mental processes. In a seemingly chaotic world, the artist struggles to find inner serenity and to convey it in his work. Each piece becomes a unique instance of wholeness within the labyringht of life.'' [describing Alex Garcin, Untitled 2004]