Pretentious Yet Pointless
The spectator is drawn by the outstanding aesthetic sensibility of the work into the world of sugar and wine. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Semiotically, we see the leading centralism representing strength curve back and forth, suggesting unreliability. In stereometric construction, the visual phenomena of the unexplored world are, in themselves, empty: the only worthy thing is feeling, as such. Such forms, intensely modulated, create a strong interaction of forces.
This sculpture is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the scale and openness to the piece is a division of space that parallels our innermost confusion. The artist does not use a limited canvas to restrict the colours, which thus subsist in a world of their own making.
Sol Aris has not completed the title of this picture. The embellished ground enriches the eternal dimension and its limitless possibilities. In this piece Sol Aris delineates the relationship between colour and space. Unexpectedly, we see the diagonal axis symbolising the inner ego undulate towards the centre of the drawing, suggesting inconstancy. The shapes of Sol Aris's earlier works are still present, but in a different form.