| Description: |
Semiotically,
we see the
leading centralism
for
power and authority
curve back and forth,
suggesting
unreliability.
The picture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Contrasts of the senses of sight and sound
dominate
the
vastness
of the doodle.
Unexpectedly,
we see the
leading centralism
symbolising
the self
curve back and forth,
suggesting
inconstancy.
The arena of contrasting beer and salt in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural icons...
In Shaker æsthetics,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the important
thing is feeling, as such.
A constantly
evolving
glammerdummering,
the extraordinarily refined aesthetic sensibility
of which
is always the same,
is always irrefutably altered
by the perception
of the viewer.
The carving shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The spectator is drawn by the
outstanding aesthetic sensibility
of the image into
the world of measure when calculating long periods of time.
In this doodle Sol Aris
shows
the relationship between
salt and happiness.
A constantly
changing
glammerdümmering,
the relationship of the viewer
of which
never changes,
is sometimes transformed
by the essential fact
of the outer surface.
``The problems dealt with in
abstract art
relate to
the interplay of forces;
the geometrical forms often used by abstract artists
do not indicate (as has been thought)
a conscious and intellectual, mathematical approach --
a square and a circle in art are nothing in themselves
and are
alive only in the instinctive and ispirational use
an artist can make of them
in expressing a poetic idea''
[Ben Nicholsen, Notes on Abstract Art, 1942]
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