Pretentious Yet Pointless
Such forms, rapidly moving and disconcerting, create strong gestalt sensations. The piece shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Such forms, intensely modulated, create a strong interplay of forces.
``The artist is more a facilitator than an authoritarian with his materials and thus expresses `sympathy with matter'.''
[Robert Morris: Works of the Eighties, p.26., Edward F. Fry and Donald P. Kuspit]