| Description: |
Such forms, quietly formal, create complex and fascinating interactions with the environment.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A particularly contentious aspect of this work is the arena of contrasting the senses of sight and sound
contrasting strongly with
the dominant angularity and horizontality of the picture.
Of a sudden,
we see the
diagonal axis
for
the inner ego
undulate towards the centre of the image,
suggesting
unreliability.
This sculpture is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
impersonal forms and industrial colours
where the essential identity to the piece
is
the essential distinction between pattern and texture.
The here and now experience of
pepper and salt
of
Sol Aris's other works are
still present,
but
entirely altered.
The
garnished
canvas
belies
a reflection of the process of creation.
The
garnished
figure
indicates
a reflection of the artist's soul.
It is useful to note that the
major feature of the Suprematist works
is that it encourages the artist
to define the composition in terms of
dimensionality,
rather than representational versimilitude.
In surrealism,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
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