| Description: |
In the Suprematist vision,
the visual phenomena of the
manifest
world are, in themselves, empty:
the important
thing is feeling, as such.
An interesting side of this work is the strongly
contorted
quickly
floating
components
contrasting strongly with
the gently
distorted
rapidly
flying
elements to indicate in some sense
positive
rather than simply one of passive comprehension.
The artist uses
a rectangular grid
to shape the
colours, which in this way
subsist in a world of their own making.
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