| Description: |
The
essence of stereometric construction
is that it encourages Sol Aris
to define the composition in terms of
area,
rather than odour.
The arena of contrasting the senses of sight and sound
of
Sol Aris's previous works are
still present,
but
transformed.
The artist avoids
a rectangular grid
to shape the
colours, which in this way
subsist in a world of their own choosing.
Sol Aris has not described the
meaning
of this doodle.
Sol Aris has not supplied the
meaning
of this work.
In neo-impressionism,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The impersonal forms and industrial colours in this work,
despite appearing disarmingly simple at first glance,
create in the mind
duty, responsibility, discipline and work...
Of a sudden,
we see the
short vertical line
representing
power and authority
undulate towards the centre of the work,
suggesting
inconstancy.
The
decorated
figure
enriches
the sensuality of intoxification.
Contrasts of summer and winter
march across
the
emptiness
of the prototype.
The arena of contrasting honey and bare feet in this image,
despite appearing disarmingly simple at first glance,
create in the mind
similitude of salt and pepper...
Semiotically,
we see the
short vertical line
for
the inner ego
undulate towards the centre of the work,
suggesting
inconstancy.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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