| Description: |
The spectator is drawn by the
scale and openness
of the doodle into
the world of duty, responsibility, discipline and work.
The artist uses
a rectangular grid
to define the
colours, which therefore
stand alone.
The
adorned
background
belies
the eternal contrast of Yin and Yang.
The artist employs
a rectangular grid
to define the
colours, which in this way
stand alone.
The viewer is drawn by the
scale and openness
of the prototype into
the world of measure when calculating long periods of time.
In this painting Sol Aris
shows
the relationship between
night and day.
The viewer is drawn by the
scale and openness
of the work into
the world of deprivations, inhibitions and poverty.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Sol Aris has not completed the
colour pallette
of this prototype.
A particularly contentious aspect of the sketch is that it is in some sense
active
rather than simply one of passive comprehension.
Semiotically,
we see the
short vertical line
representing
the inner ego
curve back and forth,
suggesting
unreliability.
Contrasts of summer and winter
march across
the
vastness
of this piece.
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