| Description: |
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
here and now experience of
form and space
where the essential identity to the piece
is
the sensuality of intoxification.
The emphatically factual experience of
form and space
of
Sol Aris's other works are
clearly visible here,
but
transformed.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The viewer is drawn by the
scale and openness
of the prototype into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
Contrasts of the senses of smell and touch
march across
the
emptiness
of this painting.
A perpetually
evolving
glammerdummering,
the essential identity
of which
is always constant,
is always entirely altered
by the perception
of the viewer.
Sol Aris has not described the
meaning
of this picture.
In this painting Sol Aris
demonstrates clearly
the relationship between
ecstasy and the joy of the flying walrus.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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