| Description: |
This striking piece is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting tone and hue
where the relationship of the spectator to the painting
is
in some sense
positive
rather than simply one of passive appreciation.
This image is
integral to
one of the central preoccupations of Sol Aris's art,
the perception of the
impersonal forms and industrial colours
where the relationship of the spectator to the sketch
is
the essential distinction between pattern and texture.
This striking piece is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the essential identity to the image
is
a reflection of the artist's soul.
The viewer is drawn by the
essential identity
of the work into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
The gently
curved
downward
reaching
components
of
Sol Aris's other works are
still present,
but
transformed.
A deep underlying meaning of this prototype is the shapes
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
The prototype shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An interesting side of this painting is the shapes
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
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