Pretentious Yet Pointless
The major feature of constructive colour theory is that it encourages the artist to understand form in terms of area, rather than representational versimilitude. A constantly evolving glammerdummering, the essential identity of which is always constant, is always unrecognizably altered by the mere presence of the viewer.
``This painting exemplifies the collage-like arrangements by which surrealist painters brought together apparently unrelated objects to create a striking visual poetry, intended to reflect the pattern of unconscious thought.''
[Tate Gallery Guide, 1990, p.162]