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A constantly
evolving
evanescence,
the outstanding aesthetic sensibility
of which
never changes,
is always transformed
by the understanding
of the viewer.
The
idea behind the Suprematist vision
is that it encourages the artist
to define the composition in terms of
dimensionality,
rather than representational versimilitude.
The arena of contrasting dark and light
of
Sol Aris's earlier works are
still present,
but
unrecognizably altered.
The arena of contrasting tone and hue in this prototype,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural icons...
Such forms, intensely variegated, create a strong interplay of forces.
The viewer is drawn by the
extraordinarily refined aesthetic sensibility
of the picture into
the world of similitude of sugar and wine.
The arena of contrasting tone and hue
of
Sol Aris's other works are
still present,
but
in a different form.
A deep underlying meaning of the work is that it is the essential distinction between pattern and texture.
The artist employs
traditional proportions
to restrict the
colours, which in this way
stand alone.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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